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It is true that Damon playing a character written as white is not the same thing as say Johnny Depp (ignoring his claims of Native American ancestry) playing Tonto in The Lone Ranger or Tilda Swinton playing the Ancient One in Doctor Strange. "When I think of 'whitewashing' I think Chuck Connors playing Geronimo, that's whitewashing and that's unacceptable," Damon said, Reuters reported. it wasn't altered because of me in any way," Damon said.ĭamon did state that whitewashing is a very important issue in Hollywood, but The Great Wall simply is not the same thing. "It's a historical fantasy and I didn't take a role away from a Chinese actor. " suddenly becomes a story because people click on it, versus the traditional ways that a story would get vetted before it would get to that point," Damon said.ĭamon went on to describe The Great Wall as "a monster movie." In a recent interview with the Associated Press, Matt Damon once again addressed the controversy, but explained it is not whitewashing, and the story was overblown because of fake news, Vulture reported. We all know only the Chinese defended the wall against the monster attack.' But is this whitewashing? (laughs) There are far more nuanced versions of it and I do try to be sensitive to that, but Pedro Pascal called me and goes, 'Yeah, we are guilty of whitewashing. What bummed me out is I read 'The Atlantic' religiously and there was an article in 'The Atlantic.' I was like, 'Really, guys?' To me whitewashing was when Chuck Connors played Geronimo.
THE GREAT WALL MOVIE ACTRESS FULL
I was surprised, I guess because it was based on a teaser, it wasn't even a full trailer let alone a movie. The actor told the crowd that the whitewashing accusations were a "fuckin' bummer." Yeah, it was a fuckin' bummer. Matt Damon responded to the controversy at New York Comic Con in October. Your big sister when she stood up for you to those bullies that one time." Tech Culture: From film and television to social media and games, here's your place for the lighter side of tech.īatteries Not Included: The CNET team shares experiences that remind us why tech stuff is cool.Among other things, the actress stated, "We have to stop perpetuating the racist myth that white man can save the world." She added that "our heroes don't look like Matt Damon. "The Great Wall" is in theatres in the UK, US and Australia now.
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Let's hope "The Great Wall" is a building block to better movies. Kids who enjoy the colourful and acrobatic action will be delighted to find on the other side of "The Great Wall" the delights of China's wuxia martial arts movies.Ĭo-productions between China and Hollywood are the latest hot trend in movieland.
THE GREAT WALL MOVIE ACTRESS PLUS
On the plus side, it's kind of fun in a goofy way, and - unlike some recent blockbusters that skew dark, violent and intense - it's a genuinely all-ages romp. Only glimpses of the stylish eye of director Yimou Zhang, the man responsible for the extravagantly vibrant " Hero", " House of Flying Daggers" and 2008 Beijing Olympics opening ceremony.
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Andy Lau, one of Asian cinema's most charismatic actors, is particularly wasted, reduced to pointing at things and spouting exposition. The focus on Damon and his globetrotting vocal inflections leaves the other characters as cyphers. At the same time, however, the westerners are mercenary plunderers trying to run off with the secrets of gunpowder that the Chinese wish to protect. Damon and his western buddies are presented as white saviours, like the awkward moment they're given a standing ovation for their part in a battle in which the real work was done by scores of unnamed and unheralded Chinese foot soldiers. One of the big concerns before release was the presence of western actors in a Chinese story, raising worries of whitewashing. And the film squanders an opportunity to do something cool with 3D, in sequences explaining Chinese history with watercolour-style animation that could have really popped off the screen but remain flat and inert. Damon's tortuous accent and the constant need for translation between factions renders the stilted dialogue even more belaboured. The mythical beasts assailing the wall are kind of boring in that glossy CGI way, with no real personality and not one but two overly convenient weaknesses. Nothing else really fires on all cylinders. Pedro Pascal and Matt Damon, man-bunned mercenaries.